Footnotes
1 Goethe, on photography.

Under the Same Sky

Laila Abdul-Hadi Jadallah
25/10/2025
2
minutes to read
Article
On contemporary North African photography
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North Africa has many metaphorical doors to open. With a territory encompassing 9,200,000 square kilometres of desert, 2,500 kilometres of mountainous terrain, the longest river in the world, a topography that kisses an ocean and two seas, and 275 million people, its photographers are unpacking the interiority of this place, reorienting us to their gaze through highly personal incursions through which they see their worlds and each other. We are invited to see what is sometimes hard to see1–a world where photojournalism and speculative practices can exist simultaneously. North African visualism serves as a portal–not to undue representative constraints, which are often associated with commentary written about photography from the region–through which we can conceptualise the North African world as a prism: a prism where its photographers serve as the region’s recorders and futurists...Read the full article in the printed issue. Get OVER Journal 4

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About
Laila Abdul-Hadi Jadallah
Laila Abdul-Hadi Jadallah is an arts administrator, independent curator and founder of Art West Asia Projects, a Washington, D.C.-based mobile research and curatorial platform dedicated to highlighting the history and contemporary contributions of West Asian and North African artists through exhibitions, programs and partnerships. She is interested in the various forms of cultural and historical expression, counter-expeditions, and practices of fabulation by diasporic artists to the art historical canon. Jadallah has worked with numerous emerging and established artists and international cultural institutions on exhibitions and programs addressing contemporary photography, technology, climate, sociopolitical change, and futurism. Her curatorial work has been featured in the Washington Post, Canvas Magazine, and the National News.
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Footnotes
1 Goethe, on photography.