Wet Paint
by Studio Prokopiou

Erik Vroons on Sun Archive's latest publication

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Prologue to
the Return
of The Real

Sara Muthi on the paradox of hyperreality
in the work of Paul Pfeiffer.

FUTURES PHOTOGRAPHY PLATFORM

Now is the time

by

Una Mullally

A Series of Formulations—Postscript

by

Natasha Christia

Almost All the Flowers in My Mother’s Garden

by

Anna-Kaisa Rastenberger

A New Form of Worship

by

Ilaria Sponda

Harsh Salvation

by

Sara Muthi

Mountain of Salt

by

Sue Rainsford

Photography & Post-Truth Politics

by

Aidan Kelly Murphy

Emblematic of Black Souls

by

Irene Antonia Diane Reece

A Place of Our Own

by

Iris Hassid

This Hurts

by

Dónal Talbot

article

Roberto Tondopó

Tránsito

by

Roberto Tondopó

Ways of Seeing Algorithmically

by

Lewis Bush

Indeterminate Images

by

Kwasi Ohene-Ayeh

Wave

by

Duncan Wooldridge

On the history of colour in cinema and her use of dye transfer prints

by

Jean Curran

David Farrell: Works

by

David Farrell

Wish You Were Here

by

Heather Agyepong

Vera Ryklova: Works

by

Vera Ryklova

Slowly Westward: A Journey Through a Folded Landscape

by

Mark McGuinness

Feature

Between the Layers

Jean Curran on the history of colour in cinema
and her use of dye transfer prints

The Clearing House

by

Garry Loughlin

Hands On

by

Amelie Schüle

The Virtual Survival

by

He Yining

Loopies Field

by

Becks Butler

Criticism on Demand

by

Duncan Wooldridge

Why Criticism?

by

Jörg M. Colberg

Aesthetic
Pipelines

by Rashi Rajguru

Emblematic
of Black Souls

by Artist name

Emblematic of Black Souls,
Irene Antonia Diane Reece

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