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In the Shadows, Still

Sharpendu De
25/10/2025
2
minutes to read
Article
Grappling with representational histories in the work of Aaryan Sinha
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Two nuclear nations walked down a warpath recently. Across land and air, most modern warfare tactics were deployed, missiles hurtled across borders, leaving panicked citizens to undergo emergency drills, blackouts, fear, worries, and compelled to cope with the bodies of loved ones that were (un)commonly left behind in the aftermath of this masculine show of strength. Mortalities were suffered on both ends until a ceasefire set in, once again.

Tensions between India and Pakistan are deep-rooted in history - strategically designed by the British, our former colonisers, who devised the "divide and role" policy premised on religious fault lines between the Hindus and Muslims. It eventually led to the partition in 1947; the creation of India and Pakistan, followed by the massacre of millions of Hindu and Muslim Indians...Read the full article in the printed issue. Get OVER Journal 4

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About
Sharpendu De
Sharbendu De is a contemporary lens-based artist, educator and writer. He was a Visiting Artist Fellow at Harvard University (2022). He has received grants from the National Geographic Society, KHOJ, Lucie Foundation, India Foundation for the Arts and MurthyNAYAK Foundation. Over the last 14 years, De has taught photography and visual communications across universities and cultural institutions in India. For Earth Day 2025, Aesthetica featured him in the list of "10 landmark artists" working on climate and sustainability.
About
Aaryan Sinha
Aaryan Sinha (b. 2001), New Delhi) is a photographer and artist based in The Hague. His work explores Indian identity through the lens of colonial history personal memory, and cultural displacement. Combining photography, text, and archival material, Sinha challenges inherited narratives nd Western visual tropes often projected onto India. Projects like Namaste or Whatever critique the colonial gaze in photography, while This Isn't Divide and Conquer reflects on the legacy of Partition and contemporary polarisation. Sub-projects such as To My Darling Love and For What Was, Will Soon Be Forgotten delve into family histories and fragile landscapes shaped by trauma and transformation. Sinha has exhibited at Luma Arles, Nederlands Fotomuseum, and Belfast Photo Festival. He is a Foam Talent 2024-25, an EMergents finalist, and was shortlisted for the PhMuseum Photography Grant 2025.
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