Footnotes

Regenerative Consumption

Aidan Kelly Murphy
25/10/2025
2
minutes to read
Article
On Liss Fenwick's practice and the impact of colonialist practices in Australia
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Liss Fenwick feeds books to termites. It’s a rather crude way to begin talking about their practice—there are many other rich aspects of inquiry, other elements of engagement–but the spectacle is so mesmerising that it seems appropriate to start there. Over the last few years, the Australian artist has been feeding an ever-growing array of books to the termites. They first entered Fenwick’s life when they began consuming the artist's late father’s shed. The destruction of these books by the native inhabitants of the land is a spectacle for sure. Still, it is also about trying to bring a balance and neutrality to the space following the ongoing impact of colonialism. It's a regenerative process that brings forth a possible future...Read the full article in the printed issue. Get OVER Journal 4

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About
Aidan Kelly Murphy
Aidan Kelly Murphy is an artist and writer living in Dublin. He is co-editor of OVER Journal.
About
Liss Fenwick
Liss Fenwick is a visual artist who works between Larrakia/Wulna Country in the Northern Territory, where they grew up, and Naarm (Melbourne). Their work uses photography and video to explore how people relate to land, especially when human-centred and Eurocentric ideas start to break down or fall apart. In 2025, their work was part of On Country: Photography from Australia at Rencontres d'Arles. Their photobook Humpty Doom was shown at the V&A Museum in London in 2024 and was a finalist in the 2023 Paris Photo–Aperture Photobook Awards. Fenwick pays respect to the First Nations peoples of the lands and waters where they live and work—the Larrakia and Wulna peoples in the NT, and the Eastern Kulin nations in Victoria. They honour the strength, culture and unbroken connection of First Peoples to Country. Sovereignty was never ceded.
Footnotes