Prologue to
the Return
of The Real
Sara Muthi on the paradox of hyperreality
in the work of Paul Pfeiffer.

article
Aidan Kelly Murphy discusses Hoda Afshar’s ‘Agonistes’ and its commentary on visual language and political discourse
Photography & Post-Truth Politics
by
Aidan Kelly Murphy

Feature
Between the Layers
Jean Curran on the history of colour in cinema
and her use of dye transfer prints
and her use of dye transfer prints
