On Deliberate Tensions
and Closeness

Curator Zippora Elders in conversation
with artist Selma Selman.

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A Foreword
to the Future

Colin Graham on forging a space
for rethinking the image

The bottom of human-made Detroit Lake, Oregon, 2021, from ‘After Us’ series.

International Centre for the Image

On Image, Origin and Representation

by

Erik Vroons

After Us

by

Erik Vroons

The Last Straw

by

Aidan Kelly Murphy

The Aesthetics of Ball Lightning

by

Světlana Malina

Primary Succession

by

Emese Mucsi

Ashes and Bloom

by

István Virágvölgyi

After All: PHotoESPAÑA 2025

by

Erik Vroons

Noémie Goudal, ‘Supra Strata 2024’, behind the scenes. © Noémie Goudal. Courtesy of the artist and Edel Assanti. Photo by Noémie Goudal Studio

Noémie Goudal, Tilt.

by

Michaële Cutaya

Reclaiming Childhood: The Intimate World of Michalina Kacperak’s Soft Spot

by

Michalina Kacperak

Wet Paint by Studio Prokopiou

by

Erik Vroons

article

Sara Muthi on the paradox of hyperreality in the work of Paul Pfeiffer.

Prologue to the Return of The Real

by

Sara Muthi

Now is the time

by

Una Mullally

A Series of Formulations—Postscript

by

Natasha Christia

Almost All the Flowers in My Mother’s Garden

by

Anna-Kaisa Rastenberger

A New Form of Worship

by

Ilaria Sponda

Harsh Salvation

by

Sara Muthi

Mountain of Salt

by

Sue Rainsford

Photography & Post-Truth Politics

by

Aidan Kelly Murphy

Emblematic of Black Souls

by

Irene Antonia Diane Reece

Article

Between the Layers

Jean Curran on the history of colour in cinema
and her use of dye transfer prints

This Hurts

by

Dónal Talbot

Tránsito

by

Roberto Tondopó

Ways of Seeing Algorithmically

by

Lewis Bush

Reality Cheque

by

Camille Lévêque

Going Mainstream

by

Julie Chun

Indeterminate Images

by

Kwasi Ohene-Ayeh

Aesthetic
Pipelines

by Rashi Rajguru

Emblematic
of Black Souls

by Artist name

Emblematic of Black Souls,
Irene Antonia Diane Reece

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